Beowulf #6: Motifs

There are a number of motifs in Beowulf that I cover with my students. In this post, we will look at three of the most prominent. These serve as major discussion topics during and after our reading. They also make for fascinating essays.

TREASURE

The treasure motif is one of my favorites. Full of imagery, symbolism, and historic significance, it is very rich with meaning.

Let’s start with Hrothgar’s treasure. As a great king, he has won considerable treasure to match his status. He does not keep it all to himself, however. Instead, he readily shares it with his men according to their acts of valor. The greatest warrior, aka Beowulf, gets the greatest share. But even the least of the warriors gets a generous share. Gift-giving, then, is as much an act of recompense as a show of favor and loyalty. It is also a sign of Hrothgar’s righteousness as king. If he were not to share it, he would not be worthy of kingship.

The Fire Dragon also has a great treasure. Rather than sharing it, however, he hoards it as an evil temptation. We might be inclined to think, “Why should he share it?” Indeed, sharing sometimes gets overplayed in today’s world, but we need to look at the Fire Dragon in the context of the story and, specifically, in contrast to Hrothgar. The former is as selfish and evil as the latter is generous and good. Thus, the Fire Dragon is utterly unworthy of followers. The only ones who seek his treasure are thieves like himself.

In addition to the literal treasures, there are also many figurative treasures. The most obvious one is Beowulf’s life. As explained in the analysis of Beowulf’s fight with the Fire Dragon, Beowulf’s life is the “price” paid for the Fire Dragon’s treasure. He “shares” it over and over again, from saving the Danes from Grendel and Grendel’s Mother to saving the Greats from the Fire Dragon. All the gold rings and jeweled goblets in the world could not equal the wealth of his life.

GLORY

When we first meet Beowulf, we are struck by his tough talk. He seems to brag about himself nonstop. Sure, he can back up his words with his actions, but does he really need to be so boastful all the time? He is so different from, say, King Arthur and his Knights of the Round Table who perform all their virtuous acts with Christian humility.

Beowulf might not have fit in during the High Middle Ages, but he was a man of his time and place. Such “tough talk” was to be expected from a barbarian. In fact, his boasting was no less a tool for garnering respect than his physical fighting. Put differently, a great warrior needed to have a reputation as such and was expected to advance it with words. The further it spread, the stronger he was deemed.

Beowulf backs up his boasts in two ways. First, he is able to defeat the worst monsters one could imagine. If he “brags” about this, he is really just being honest about what he has done. Second, Beowulf is a glorious warrior because his fighting is done out of sacrificial love for neighbors. He is like Christ, glorifying the Father through his works. His works just so happen to be cutting off monsters’ heads.

REST

This is another major motif, especially in the fights with Grendel and Grendel’s Mother. The Danes find themselves sleep-deprived for twelve years because of Grendel’s nightly attacks. If they ever had a chance of defeating Grendel, it would have been long before they accumulated such a large sleep debt. It’s not hard to imagine them walking around in a constant fog, complaining about how tired they are. When Beowulf defeats Grendel and Grendel’s Mother, he changes all that. The Danes are once again able to recharge at night and have the energy needed for the regular trials of the day.

So what does it symbolize?

“The Mound of Beowulf” by Rockwell Kent embodies all three of our motifs.

As my students readily point out, sleep can be a symbol for peace. When Grendel and Grendel’s Mother keep everyone up at night in terror, Heorot’s peace is stolen. When Beowulf gets rid of them and everyone can sleep soundly again, Heorot’s peace is restored. Simple.

I may be inserting something into the epic, but I think there is still more going on. From a Christian standpoint, sleep, or more specifically rest, is also a metaphor for prayer. Spending time with God is the true source of energy for the difficult tasks of the day. For example in Mark 6:31, Jesus says to His disciples, “Come away by yourselves to a deserted place and rest a while.” He was not just telling them to get a little shut-eye, but to pray, which is the ultimate rest. Likewise, St. Augustine said, “Our hearts are restless until they rest in You, O Lord.” The only way we can rest in God during our lifetime is by praying to Him, whether that be on our knees at bedtime or when receiving the sacraments.

If we apply that logic to the story, we see that Beowulf is not merely restoring the peace in Heorot but also the prayer-life, which is the path to true peace. He is reuniting the Danes with God the Father.  

Despite all his great deeds, Beowulf remains restless himself until he finds eternal rest in God through the sacrifice of his life. His death, after defeating the Fire Dragon, is the ultimate example of sleep. His tasks are complete. He has served his people. Now he will be at peace with God in a never-ending prayer.

CONCLUSION

Long after my students forget the details and even the storyline of Beowulf, they will still remember these motifs. They may not be able to place them exactly. Their ideas about them may have changed somewhat. But the seeds will have been planted for further analysis of similar motifs in other stories…and for personal reflection.

What treasures do I have to share? How should I talk about my worth and accomplishments? What monsters do I have to battle? When do I need prayer the most?

These questions will recur throughout their lives, just as they do for everyone. Hopefully, our Catholic classical study of Beowulf will help guide them to the answers.

Beowulf #5: Fighting the Fire Dragon

The story of Beowulf’s fights with Grendel and Grendel’s Mother would make a complete epic on their own. Having saved the Danes from Grendel and Grendel’s Mother, our hero’s work seems complete. Nevertheless, his life’s purpose is not accomplished until he fights the Fire Dragon.

Let’s take a look at that fight and then consider some of the bigger lessons at play.

PLOT SUMMARY
Exposition – The Background

Many years have passed since Beowulf defeated Grendel and Grendel’s Mother. After the death of his father, he becomes King of Sweden and rules for fifty peaceful years. 

Inciting Incident – The Problem

All of that changes when one of his people breaks into the chamber of a sleeping dragon, aka the Fire Dragon, and steals a goblet from his vast treasures. The Fire Dragon awakens, prowls over the land, scorching the earth with his fiery breath, and seeks revenge.

Rising Action – The Buildup

Beowulf cannot let the Fire Dragon decimate his kingdom. Though he is an old man, he suits himself for battle all the while recalling the glory of his youth. His memory is like a mirror into the past and the future. He knows he is not as strong as he once was, but he also knows he must fight, come what may. He has a duty to protect his people. 

And so he sets forth with his army. As he nears the Fire Dragon, Beowulf tells them all to stand back. This fight is his alone. Soon, however, he is nearly consumed by the flames. Too scared to step in and help, all but a warrior named Wiglaf, a kinsman of the king, abandon Beowulf in his hour of need.

Wiglaf cries out for them to return, yet his cries are met with silence. The Fire Dragon smolders on, and Wiglaf turns his attention to Beowulf, encouraging him to get back up and fight.

Climax – The Breaking Point

He does, just in time, too. The dragon breathes hot fire at Wiglaf, but Beowulf houses him under his iron shield. Rousing his strength, Beowulf strikes the Fire Dragon. His sword shivers to pieces from the force of his efforts. It turns out Beowulf is still the warrior of his youth.

But reeling in rage, the Fire Dragon rushes upon a defenseless Beowulf and sinks his teeth into his neck. Wiglaf, full of love for his king, drives his sword into the Fire Dragon. Beowulf does the same with a knife he had tucked away, and the Fire Dragon falls down dead.

Falling Action – The Unraveling

Sadly, Beowulf has been mortally wounded. He makes Wiglaf his heir and commands him to bring the Fire Dragon’s treasure—one last trophy—so he can look at it before he dies. Upon seeing it Beowulf thanks God for granting it to his people.

And so saying, Beowulf dies a hero.

Resolution – Long Live Beowulf!

Wiglaf laments Beowulf’s death and cries out in anguish, again rebuking the Geats for abandoning their king. He buries Beowulf with great ceremony in a mound on top of the Fire Dragon’s treasure, denying it to the other warriors because of their disloyalty. It turns out Beowulf’s life is the real treasure, so that is what they get. Or rather, that is what they squandered.

Though Beowulf has died, as all men must, his fame will live on through the minstrel’s song. Mightiest of warriors and most virtuous of Christians, his glory has at last become eternal.    

PLOT ANALYSIS

This final fight in Beowulf feels worlds away from the earlier two, not least because the storylines are separated by more than fifty years and take place in different kingdoms across the sea from one another. That alone is enough to make Beowulf’s fight against the Fire Dragon feel oddly disjointed from the rest of the epic. What’s more, its tone feels as foreboding and bitter as the others’ feel exciting and uplifting.

In a sentence, Beowulf dies.

After I read his death scene with my students, I always pause to scan their faces. Whether they are wide-eyed with disbelief, downcast in disappointment, or busy re-reading to make sure they understood what really happened, they all seem to ask, “Why? Why did he have to die?”

I find myself asking the same question. It seems unfair that the mighty Beowulf dies for his people, especially after they abandon him. Their selfishness and disloyalty are so obviously wrong. They have not just broken some ancient Germanic code of loyalty, they have betrayed the code of righteousness imprinted on the human heart. In doing so, they have betrayed their human nature.

Remind you of anyone, or should I say any monster?

Therein lies the choice for Beowulf’s warriors. They can follow the path of Beowulf and glorify not only humanity but its Creator, or they can follow the path of Grendel, a descendent of Cain, who so distorted human nature that he became one of the world’s most infamous monsters.

Now I’m not saying the warriors are going to suddenly grow hairy arms and start eating people, but they have taken a dangerous first step in that direction. Luckily, they have Wiglaf to call them back and help them repent just as the apostles repented after abandoning Jesus during His passion and death.

But wait! Isn’t this part of the story about the Fire Dragon, not Grendel?

Let’s go back and review the Fire Dragon’s character description. We said he represents an even older evil dating back to the fall of the angels. He is a trickster, not merely taking pardonable vengeance on a thief but actually tempting the man to become a thief in the first place. The Fire Dragon wants an excuse to scorch the earth. He wants an excuse to kill Beowulf. And he wants an excuse to scatter Beowulf’s men and make more Grendels out of them. All the while, he also wants to trick people into thinking he was just fighting back.

No, he started the fight, but Beowulf finishes it. The rest is up to his men—and us.

Image from Siegfried, the Hero of the North, and Beowulf, the Hero of the Anglo-Saxons (1900)

Beowulf #4: Fighting Grendel’s Mother

Beowulf’s fight with Grendel’s Mother picks up right where his fight with Grendel left off. Read on to see how Beowulf continues to prove himself a hero among barbarians and Christians.

PLOT SUMMARY
Exposition – The Background

Having celebrated Beowulf’s defeat of Grendel, Hrothgar ushers him off to a splendid bedroom for a much deserved night’s sleep.

Inciting Incident – The Problem

Little do they know, however, their troubles are not really over. Another monster, Grendel’s Mother, breaks into Heorot, snatches up one of the men named Aeschere, and carries him off.

Rising Action – The Build-up

When Beowulf learns of this the next morning, he immediately organizes an expedition to seek out Grendel’s Mother. No longer the fearful men they were during Grendel’s feasting days, the Danes join the Geats. Together they track Grendel’s Mother all the way to an eerie lake where they find Aeschere’s head staked on a post.

Though the surrounding terrain is frosted with ice, the lake itself is ablaze with fire and full of evil monsters. Hrothgar marks one with his bow and shoots it dead, proving that he has regained his battle prowess and still worthy to be king in his own right.

Climax – The Breaking Point

But this fight, like the last one, is really for Beowulf. He alone is brave enough to dive into the strange waters and continue the hunt for Grendel’s Mother. As he plunges deeper and deeper, he suddenly feels himself held fast by a tremendous creature with a hairy chest. It is none other than Grendel’s Mother.

She pulls him into her lair, which consists of a dry area at the greatest depth of the lake. She seems to have the advantage, being on her home turf and so full of an evil desire for revenge. But then Beowulf spots an ancient sword forged by giants with magic from the Sun and manages to kill her with it.

Falling Action – The Unraveling

As he looks around the lair, his eyes chance upon Grendel’s body. (The monster had gone home to the lair to die after his arm was ripped off). Desiring another trophy, Beowulf chops off Grendel’s head, which gushes blood all the way up to the surface.

Hrothgar sees it, assumes Beowulf was killed, and departs for Heorot. Still hopeful, the Geats remain longer and see Beowulf emerge victorious with Grendel’s grisly head.

Resolution – Problem Solved

The Danes host another feast for the Geats, showering upon them even more treasures. The monsters are dead; peace and honor have been restored once and for all. Hrothgar and Beowulf bid one another a sad farewell, now sharing a bond of loyalty and love akin to a father and a son. 

PLOT ANALYSIS

Structurally, Beowulf’s fight with Grendel’s Mother mirrors his fight with Grendel. Just swap out one monster for another, one battleground for another, and you have pretty much the same story. So why have Beowulf do everything all over again? Is it just a cheap way to stretch out the storyline and have more thrills?

Not exactly. As my students realize during our class discussions, the second fight is all about character growth. Let’s start with Hrothgar. After Grendel’s defeat, he had regained his legitimate status as king and was once again able to provide for his people in the great hall of Heorot. But it is not until the fight with Grendel’s Mother that Hrothgar proves himself strong in battle, worthy of respect and even fear. His transformation is now complete. We know that he will live out his days as a fit king of the Danes.

Let’s turn to Beowulf now. As always, he’s really the character to focus on.

Fighting Grendel is nothing to sneeze at, but it pales in comparison to fighting Grendel’s Mother at the bottom of her eerie lake. That’s because the lake symbolizes Hell, the source of all the problems in Denmark. Beowulf dives into its very depth, kills Grendel’s Mother at great peril to his own life, and thereby cleanses the lake of all its monsters. There is nothing left to terrorize Heorot, so the Danes can sleep easy once and for all.

Figuratively, Beowulf’s role as a messianic character comes full circle when he faces Grendel’s Mother. Having previously left his father in Sweden to serve a foreign people, we now see him offer his life to save them from not one monster but all of them. When the story closes, Beowulf gets to return to his father, knowing his mission is fully accomplished. Better still, he did it all out of kindness, taking only the glory of his great deeds as a prize. Beowulf truly is a Christian-barbarian hero.  

Illustration from Hero-Myths & Legends of the British Race (1910)

Beowulf #3: Fighting Grendel

From the character sketches in the last post, we already know Beowulf fights three monsters: Grendel, Grendel’s Mother, and the Fire Dragon. Though each fight is part of a larger narrative, they have three distinct plots, defined as a series of causally-related events that revolve around a central problem, rise to a climax, and ultimately come to a resolution.

Here is the first plot, which revolves around Beowulf’s fight with Grendel.

PLOT SUMMARY
Exposition – The Background

At the outset of the story, we learn of a powerful barbarian king of Denmark named Hrothgar who has built a large hall called Heorot. Symbolic of his strength as well as his generosity, his people gather and feast there nightly, enjoying the security of armed peace.    

Inciting Incident – The Problem

The inciting incident is the problem that sets the plot in motion. Put differently, it is an event of such great proportions that it fundamentally alters the world of the story and must be played out to its fullest extent. 

That’s where Grendel comes in. One night, seemingly out of nowhere, a horrific monster named Grendel breaks up one of the feasts in Heorot and eats a bunch of Hrothgar’s men.

Rising Action – The Build-up

Grendel makes feasting on the Danes his nightly ritual. Unable to defeat such a powerful foe, Heorot is cast low, and Hrothgar finds himself king of a wasted kingdom. Though the Danes had been a brave clan, they are shamed with fear (not to mention sleep deprived) for twelve years. Even Hrothgar turns into a shadow of his former self.  

Their ill fortune finally reaches Sweden. Prince Beowulf, known far and wide as a great warrior, decides to come to their aid.

He sails to Denmark and finds Hrothgar eager to receive him. Only Unferth, a jealous Dane, resents Beowulf’s offer. He contends that Beowulf isn’t really that great, calling him both a coward and a liar. Beowulf tells a story that proves otherwise and gains Hrothgar’s blessing to fight Grendel.

The Geats and the Danes enjoy a feast in Heorot, fully knowing that Grendel will eventually show up. In anticipation, the Danes gradually slip away to their hiding places, but not before giving Beowulf and his men soft blankets and pillows. The irony of their hospitality is never lost on my students!

Climax – The Breaking Point

Scared as they are, all the Geats nonetheless fall asleep—except for Beowulf. Grendel arrives, rips off the door, snatches up a man, and eats him. He reaches for his next victim and chances upon Beowulf.

Vigilant as ever, Beowulf meets Grendel’s grip with his own. The two get locked in a type of arm-wrestling match that ends up with Beowulf ripping off Grendel’s arm, mortally wounding him. Though Grendel manages to flee, he does not live. Meanwhile, Beowulf “wildly waves in the air his blood-soaked trophy,” aka Grendel’s arm.

Falling Action – The Unraveling

Naturally, everyone decides it’s a good idea to nail Grendel’s arm to the wall and have a party like in the days of old.

Resolution – Problem Solved

At long last, Hrothgar’s honor is restored, and his men can sleep easy again. Beowulf has saved the day. In thanks, Hrothgar bestows treasures on Beowulf and his men.

PLOT ANALYSIS

When I study Beowulf’s fight with Grendel with my students, we always come up with a number of different “problems” that could serve as the inciting incident and soon realize they are all related. The most obvious, at least most literal, problem is Grendel eating the Danes. We can go a little deeper, though, and also define the problem in figurative terms with a focus on Hrothgar.

All of Hrothgar’s power, the very essence of his manhood, has been stolen. To put it bluntly, Hrothgar has turned into a weakling, unfit to rule over his people. Lucky for him, no one else is willing to kill Grendel, so none can overthrow him. We are left to wonder if Hrothgar’s rule had somehow invited Grendel in, perhaps by letting his guard down or falling into a sinful pride. Either way, Hrothgar needs to be redeemed so his kingdom can thrive.

As we know, Beowulf does that for him. Sure, Beowulf likes the sport of fighting Grendel and the glory that comes with it, but that is not his real motive. He is fundamentally looking out for Hrothgar and his kingdom by saving their lives and their honor.

Here we see the kind of Christian-barbarian blending that makes Beowulf so important historically. Whoever immortalized this epic for us had great respect for the mindset of the Germanic and Scandinavian people it represents. He knew honor was most understood and respected on the battlefield, but he also knew that Christians needed to serve a higher purpose. For them, honor was gained through service and sacrifice. Hence, Beowulf was a hero among barbarians and Christians.

Illustration from Hero-Myths & Legends of the British Race (1910)

Beowulf #2: Characters

In order to understand any story, you have to spend time getting to know its characters. From their personal background and physical characteristics to their words and actions, every detail has meaning.

Beowulf is no different. Though the characters may at first seem like a motley cast of barbarians and monsters, each is highly complex, rich in symbolism, and teaches much about the mindset of the early Scandinavian and Germanic peoples they reflect.

Beowulf – “Mightiest yet Mildest of Men”

Let’s begin with our title hero. Most people have heard of Beowulf even if they skipped British Literature 101, not least because he’s fought his way across the big screen so many times. Stylized as a valiant barbarian from the lands of the Geats (aka Sweden), he is somewhat of a contradiction.

Ian Serraillier, my favorite Beowulf author, calls him the “mightiest yet mildest of men.” His “might” comes from his great strength and superior battle skills. Such would have been a prerequisite for a barbarian leader. (If you can’t win an arm-wrestling match against the whole clan, not to mention a giant, flesh-eating monster, take a hike!)

But Beowulf’s character is not just about flexing his muscles; he’s also “mild.” Serrailier uses this word to describe the barbarian hero’s spirituality, which blends the traditions of Germanic paganism with Christianity. Beowulf is both true to the Germanic code of loyalty, called comitatus, and the ideals of Christian virtue. He ultimately gives his life for his people in a very Christ-like way, but he does so at the point of a sword, fighting like a warrior should. We can think of him as a Christianized barbarian who still knows how to win a fight.  

Hrothgar – “Giver of Treasure”

King of the Danes, Hrothgar is also a Christian barbarian warrior. He is so glorious in battle and cares so much for his people that he gives them an abundance of gifts and builds them a great hall, called Heorot. He provides them with all the comforts of armed peace he can—that is until Grendel shows up and starts eating his men. Even Hrothgar, who had been so fearless in the past, finds himself unable to face Grendel. Instead, he slinks away in defeat every night before the monster’s feasting hour.

Poor Hrothgar! His hair turns gray, and his eyes lose their luster during the twelve years of Grendel’s attacks. It is only after Beowulf arrives at Heorot that Hrothgar gets his step back. Hrothgar is a good king to his people, always trying to give them his best. It’s just that his best is no match for Grendel and certainly nothing compared to what Beowulf has to offer.

Unferth – “A Grovelling Jealous Man”

In the character of Unferth, we learn that not all barbarians are good. He is Beowulf’s foil, or opposite, being as weak and selfish as Beowulf is strong and selfless. Nonetheless, he has an inflated opinion of himself and challenges Beowulf—but only in words! At the conclusion of his “fight” with Beowulf, Hrothgar dismisses him as a wimp. Actually in Serraillier’s version, he calls him “an envious, wayward man, unworthy of note,” which is much worse.

If not for the role he plays in attacking Beowulf’s reputation, he would have no part in the story. Still, his character is a good reminder of how important fame was to the barbarian people he represents. Beowulf is famous; Unferth is not. It is that which makes him most jealous. He does not seem to really care about being tougher than Beowulf. If he did, he would have faced Grendel. What he desires is unearned glory.

Grendel – “The Grim Monster”

At last we come to Grendel. To simply call him a monster is to misunderstand him. He is a descendant of Cain, as in the Cain who slew his brother Abel from the Bible. As punishment, God marked Cain with a sign of his sin and cast him out of his “clan.” Like Cain, Grendel is marked with sin. His “arms of hairy gorilla” and “red ferocious eyes” and “ravening jaws,” among other things, are signs of his evilness.  

No longer looking like a man, his oldest ancestor, Cain, was nonetheless created as one. That means their family line has gone against its human nature. It is that which makes him different from say, a lion, who might also attack and eat people. A lion would not be sinning to eat a person, but Grendel is. What’s more, he loves eating humans, and it’s not just because they taste good! He eats them out of vengeance. Like the sin he represents, he has an insatiable appetite. Put differently, he is beyond redemption and must be killed.

Grendel’s Mother – “The Tyrant Queen”

It turns out even Grendel has a mother who loves him—in her own distorted way, of course. Flesh and blood bind them together, so we can pretty much picture a female version of her son, complete with his massive, hairy size and strength. She, too, hates mankind, but her vendetta is more personal. By the time we meet her in the story, she wants payback for her son’s death, and she really wants to kill Beowulf.

When put in the context of motherhood, Grendel’s Mother is somewhat sympathetic, but that doesn’t change the fact that she is evil. She and Grendel lived together in an eerie lake, symbolic of Hell, over which she reigns supreme. Though her son may have been the one who killed so many humans at Heorot, she most certainly was an accomplice if not the instigator.

The Fire Dragon – “Twilight Foe”

Last but certainly not least of the monsters comes a fearsome, fire-breathing dragon that lives in Beowulf’s own kingdom of Sweden. If the idea of Grendel and Grendel’s mother harkens back to the fall of mankind, the Fire Dragon takes us back even farther to the fall of the angels. With his long coiled body, he looks like a serpent but with wings and legs, drawing an obvious connection to the devil.

And the similarities don’t stop there. His is the kind of evil that sleeps in the shadows, always hoping for a chance to trap an unsuspecting human into doing something foolish, aka sinning. He lures them with an ancient treasure tucked beneath a burial ground, reminding us that he is an instrument of death. The treasure proves too great a temptation for one of the Geats. He breaks in, wakens the sleeping dragon, and thus ignites a fiery rampage. Though Beowulf kills the Fire Dragon, he needs help doing so and dies in the end. This final monster is the strongest and most evil of all.

Wiglaf – “Close Kinsman of the King”

Enter Wiglaf. He alone stands by Beowulf to fight and defeat the Fire Dragon. They share many of the same qualities, perhaps partially because they are related. He, too, is a powerful warrior, though presumably not equals in their prime. More importantly, Wiglaf knows the value of loyalty and was prepared to give his life for Beowulf just as Beowulf was prepared to give his life for his people.

It is Wiglaf who shames the other warriors for abandoning Beowulf. It is he who obeys Beowulf’s dying wishes and builds his burial mound on the Fire Dragon’s treasure, refusing to take any of the spoils even for himself. Fittingly, he becomes the next king of Sweden.

Conclusion

That’s about all we can say about the characters without getting into the whole story. Although you can piece it together here, you will want to look at each of the subsequent plot analyses to get a fuller picture.

Please note the taglines for each character and quotations are derived from Beowulf the Warrior retold by Ian Serraillier.

Image Credit: Rockwell Kent, Beowulf, 1931, lithograph on paper, Smithsonian American Art Museum

Beowulf #1: Introduction

Beowulf is hard, Shakespeare hard. Both take a lot of time and attention to understand what is really being said. But when it comes to Shakespeare, that effort is rewarded with something akin to gold. With Beowulf, however, it feels a little more like unearthing a fossil. You know you found something valuable, even priceless, but it’s hard to know exactly what.

As the oldest surviving epic poem in the English language, Old English really, and with an oral tradition dating back to the fifth or sixth century, it feels worlds away from today. In fact, we knew nothing of this story until 1731 when it was found amidst the wreckage of a fire. Tucked away on some back shelf of Ashburnham House in London, who knows how long it would have remained hidden if not for that fire.

Beowulf Mask by Student

Since then, scholars have translated and transliterated Beowulf dozens of times. For an eager student, going through the stylistic differences and tonal shifts of each would be fascinating, if not fun. But for many, just reading one of these translations would feel tiresome.

Now, I’m not judging one way or the other. I like this stuff. As a seventh grade teacher, I also like giving my students a work that will immediately pull them in. That’s why I was so excited when I found Ian Serraillier’s version, Beowulf the Warrior. It’s a faithful text, written as much for a child as an adult, complete with blank verse, and full of literary elements. To return to our previous fossil analogy, it reads more like the dragon than the dragon’s bones.

Better still, it sounds like the dragon!

True to the oral tradition from which it came, Serraillier’s retelling makes a hauntingly beautiful read-aloud. Its primordial pulse paints my students’ faces with fascination and suspense when we read something like:

“Tricked of his treasure, angrily he prowled

Over the headland, sniffing the ground, devouring

The track of his enemy—but none could he find. At nightfall,

When the daystar was darkened, the candle of the world snuffed out,

Revengeful, riotous with rage, he went forth in flame,

Breathing out ruin, snorting hurricane.”

And just like that, the whole class begins to wonder if dragons really did exist!

Beowulf is more than fantasy, however. It is also a window into the past, showcasing what people of the early Middle Ages valued, believed, and loved. This includes not only the Scandinavian and Germanic peoples of Europe who were the focus of the tale, but also the Anglo-Saxons who eventually claimed the story as part of their cultural heritage.

Whatever your interest in Beowulf—anthropological, literary, or just plain old fun—this blog series has something for you. You’ll meet our title character, his three beastly foes, and a few other important figures. We’ll also analyze the plot and a number of significant motifs. Here is the line-up:

I. Characters

II. The Fight with Grendel

III. The Fight with Grendel’s Mother

IV. The Fight with the Fire Dragon

V. Motifs

Whether you read Serraillier’s retelling or one of the originals, I hope this series helps transport you to the world of Beowulf and unlock its mysterious beauty.