In a literary sense, plot refers to a series of causally-related events that revolve around a central problem, rise to a climax, and ultimately come to a resolution. Roger Lancelyn Green followed this classical plot structure in his version of the legend of King Arthur, while also ensuring that it maintained its traditional connections to the Bible. Each plot element outlined below has a direct and deliberate connection to salvation history.   

Try following allow by filling in this plot diagram. Or use this complete one as a quick reference. I am also sharing my chapter journal questions that deal with specifics of the plot.

Exposition 

Another word for exposition is setting. The setting for King Arthur, then, is Britain sometime after the fall of the Roman Empire but before the full onset of the Middle Ages. Here we see a match-up between actual history and the legend since Britain at that time really was ruled by various barbarian groups, most famously the Saxons, who lacked a codified rule of law. Moreover, as barbarians, they lacked a Christian worldview and the order it imparts.

Arthur becomes king in this context and thus begins unifying the people of Logres into a Realm of Righteousness and turning it into a type of “Garden of Eden.”  

Inciting Incident  

The inciting incident is the problem that sets the plot in motion. Put differently, it is an event of such great proportions that it fundamentally alters the world of the story and must be played out to its fullest extent. The dolorous stroke is the inciting incident of King Arthur. In a literal sense, the dolorous stroke refers to when Sir Balyn struck King Pelles, maiming him and his kingdom beyond the powers of human healing.

Figuratively, it matches up to the fall of Adam and symbolizes the entry of sin. All of Arthur’s efforts will revolve around trying to ward off the ill effects of the dolorous stroke and restore Logres as a Realm of Righteousness.  

Rising Action  

King Arthur sends his knights on quest after quest to right the wrongs in his kingdom. The quests are wrought with great peril, but the Knights of the Round Table continually emerge victorious because of their great skill at arms and virtuous souls. This dramatic climb eventually comes to a head with the onset of the quest for the Holy Grail.

Literally, the Holy Grail is the cup from which Christ drank at the Last Supper. Figuratively, it represents the source of healing for Logres, or the means by which it can once again be a Realm of Righteousness. Try as they might, none of the knights are virtuous enough to achieve the quest.    

Climax  

Enter Sir Galahad, the “holy knight of Logres.” As explained in the character sketches, he is a Messianic figure. Like Christ, he is the only one who can “drink the cup” of the Holy Grail and heal the sinful effects of the dolorous stroke. His life’s purpose is accomplished at the conclusion of the quest, which is the climax, and so he dies and goes to Heaven.

It should be noted that Galahad objectively defeats sin, but he cannot subjectively defeat it for everyone else. Through him, it is possible for Logres to once again be a Realm of Righteousness, but it is up to each individual to make it that way.  

Falling Action  

Sometimes referred to as the “unravelling,” the falling action is typically a quick descent in the drama that seems almost without control. Here, we focus on the affair between Sir Lancelot and Queen Guinevere. The illicit nature of their relationship permeates the story, but only reveals itself in all its ugliness at this point. The couple gets swept up in their romance, leaves caution to wind, and gets discovered.

Urged on by Sir Mordred, though without the approval of Sir Gawain, King Arthur deals swiftly with the treason. Sir Lancelot manages to escape, but as Arthur’s enemy.  

Resolution  

King Arthur learns too late that Sir Mordred was using the affair as a way to break the trust of the Round Table and elevate himself to the throne. Thus ensues a great battle between Arthur and Mordred, the latter of whom succeeds in turning many of the Knights of the Round Tables.

Arthur receives a grievous wound in the battle, which may or may not have killed him—the mystery makes for a great debate! In any event, his wound is largely symbolic as it represents the presence of vice in his life.

At this point, Morgana reemerges to “heal” Arthur in the mysterious Vale of Avalon, a place akin to purgatory. My students always feel a little let down by this resolution, so some prefer to call it an antiresolution. After all, it seems like Arthur is dead and the Realm of Righteousness is defeated once and for all. 

Yet, a figurative interpretation gives us a different spin. Arthur lives on not only through the endurance of the story, but also through eternal life. He may not have been perfect, but he was able to subjectively win a place in Purgatory, the gateway to Heaven, thanks to Galahad’s objective victory over sin and death.

Finally and perhaps obviously, the last battle is comparable to the apocalypse. It is the end of the “world” of Logres, but also the final entry point into eternity, the true Realm of Righteousness.